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Immersive theater experience 'Sleep No More' will end its 13-year New York City run in January

This released by the DKC/O+M Co., shows Luke Murphy in a scene from "Sleep No More," performing at The McKittrick Hotel in New York. The Macbeth-inspired immersive theatre experience "Sleep No More" that is hosted in three empty hulking warehouse spaces in downtown New York City will say goodbye early next year on its 5,000 performance. (AP Photo/DKC/O+M Co., Thom Kaine) (Thom Kaine)

NEW YORK – The “Macbeth”-inspired immersive theater experience "Sleep No More" that is hosted in three empty, hulking warehouse spaces in downtown New York City will say goodbye early next year on its 5,000 performance.

Producers said Wednesday that they'll wrap up the experience on Jan. 28 after 13 years and having welcomed more than 2 million visitors to the art installation-meets-theater-and-dance piece with elements of both Shakespeare and Alfred Hitchcock.

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“Thirteen years ago, we could never have imagined the astonishing journey this show has been on. It’s had an incalculable impact on us all and will live on in our hearts, seep through our skin and sleep in the deepest parts of our imaginations,” producers Felix Barrett and Maxine Doyle said.

Created by the British theater troupe Punchdrunk, visitors to the fictional 100,000-square-foot McKittrick Hotel are handed Venetian-style masks to wear and are encouraged to explore. About 25 performers act out mostly wordless scenes inspired by Shakespeare’s play while dressed in 1930s outfits and giving off a film noir vibe and an “Eyes Wide Shut” feel. It became a draw for tourists and a blueprint for more immersive experiences in the city.

Over the years, the space became a multi-venue dining, nightlife and entertainment destination, with a rooftop garden restaurant and stages that attracted sets by everyone from Mumford and Sons and Sting to Preservation Hall Jazz Band, Brandi Carlile, Dua Lipa and Josh Groban.

For the intrepid, about 100 rooms have been carved out over several floors — some as small as a child’s bedroom and others as large as a ballroom. The outside has also been brought inside, with a gritty cemetery and a massive forest included in the mix. Guests are encouraged to rummage about the infirmary, taxidermist's place, padded room, libraries, apothecaries, laundry and even a detective agency. Open the drawers, read the books in the shelves: Each room is decorated with no detail unspared. They even seem to have their own odor.

A production in Shanghai is in its seventh year.


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