Daniel Day-Lewis is coming out of retirement, seven years after his last movie, for a film directed by his son Ronan Day-Lewis.

In a time when streaming and a pandemic have radically transformed cinema consumption over the past decade, a growing number of mostly younger people are contributing to a renaissance of the Los Angeles independent movie theater scene.

This week’s new streaming entertainment releases include the Boston-set caper “The Instigators” starring Matt Damon and Casey Affleck, Netflix premiering the final season of “The Umbrella Academy” and J Balvin has an album he likens to a house party.

Since the early days of Hollywood, stunt performers have fueled the mayhem of movies, playing a vital role in sustaining the illusion of countless car chases, bar fights and rooftop leaps.

Joana Vicente is stepping down as the CEO of the Sundance Institute, the nonprofit behind the annual Sundance Film Festival, after two and a half years.

The legendary production designer Jack Fisk has for half a century been building some of the most indelible homes and structures of movies.

Daniel Day-Lewis took a break from retirement to present Martin Scorsese the award for best director at the National Board of Review Awards in midtown Manhattan.

Hopes were always high for Christopher Nolan’s “Oppenheimer.”.

Vicky Krieps stars in Viggo Mortensen's feminist Western “The Dead Don’t Hurt” as a woman assaulted while her partner is away fighting for the Union army.

Steven Spielberg, Martin Scorsese and Paul Thomas Anderson are stepping up to help curate programming for Turner Classic Movies, amid a tumultuous week of layoffs and leadership changes that had fans worried about the future of the channel.

The seemingly limitless range of Hong Chau is on display in three films this year, in roles so different that they hardly seem the work of one actor.

Philip Baker Hall, the prolific character actor of film and theater who starred in Paul Thomas Anderson’s early movies and who memorably hunted down a long-overdue library book in “Seinfeld,” has died.

Bike rides, kickball, Jiffy Pop, Jell-O and other well-remembered details crowd Richard Linklater’s “Apollo 10 1/2: A Space Age Childhood,” an affectionate ode to his childhood growing up outside Houston in the late 1960s.

Jane Campion has won the best director Oscar for “The Power of the Dog.”.

What's going to win best picture at the 94th Academy Awards.

Sci-fi epic “Dune” has won five prizes and dark Western “The Power of the Dog” has been named best film at the British Academy Film Awards.

The Oscar race may be heating up, but you wouldn’t know it to peek in on the nominees luncheon Monday in Los Angeles.

Hollywood’s Super Bowl weekend largely fizzled with the muted debut of Kenneth Branagh’s long-delayed Agatha Christie whodunit, “Death on the Nile,” a tepid reception for the Jennifer Lopez romantic-comedy “Marry Me” and modest box-office bumps for Oscar nominees.

The 94th Oscar nominations were full of surprises in both satisfying and disappointing ways, but when there are only five nominees in most categories, it’s almost guaranteed that a few favorites will miss the cut.

It’s time again to celebrate Hollywood’s grandest ambitions and most daring risk takers.

Even with some mighty competition from new Matrix and Sing movies and rising concerns over the omicron variant, “Spider-Man: No Way Home” stayed in the No. 1 spot, with $81.5 million according to studio estimates Sunday.

Denzel Washington the actor has some 60 films under his belt, plus two Oscars, and at 66 is universally regarded as one of the all-time greats.

If there is one thing for certain, it’s that this year’s holiday season has way more options for movies to see in theaters than in 2020.

The American Film Institute lined up behind many of the year’s end-of-year Oscar contenders, naming Steven Spielberg’s “West Side Story,” Jane Campion’s “The Power of the Dog” and Adam McKay’s “Don’t Look Up” among the year’s 10 best films.

Associated Press Film Writers Lindsey Bahr and Jake Coyle have named their picks for the best movies of 2021.

The New York Film Critics Circle on Friday named “Drive My Car,” Ryusuke Hamaguchi’s three-hour emotional epic and Haruki Murakami’s short story adaptation, the best film of the year.

Paul Thomas Anderson’s “Licorice Pizza” has been named the best film of the year by the National Board of Review.

Thanksgiving weekend moviegoing was still far from the feast it normally is, but Disney’s “Encanto” and the Lady Gaga-led “House of Gucci” both gave a lift to two genres that have been particularly battered by the pandemic: family movies and adult dramas.

The fall movie season -- usually a reliable rhythm and cozy autumn comfort — is this year, like much of the past 18 months, a little disorienting.

Marc Maron always believed his long-running podcast “WTF with Marc Maron” should have gotten more award recognition over the years.